Originally published on TakeYourSeats.ie.
This Sunday, International Women’s Day, we celebrated all of the fantastic women who have shaped our history, made their mark on the present, and are crafting our future. For over a hundred years, International Women’s day has been a day for celebrating the social, economic, cultural and political achievements of women. The day also marks a call to action for accelerating women’s equality.
Throughout their history, Ireland’s theatres have been home to myriad phenomenal women, from Lady Gregory pouring her energy into establishing our National Theatre, to the incredible women who took to the stage of that same theatre in 2015 to call out the gender inequality that is rife in our in our industry. This International Women’s Day, I want to look both backwards and forwards, remembering some of my favourite shows on Irish stages created by women in the last few years, and looking forwards to some of the exciting work that is on the horizon.
So without further ado, let’s take a journey back to some of the treasures of the recent past.
Asking For It
One of the most talked about productions of 2018, Asking For It, based on Louise O’Neill’s lauded 2015 novel of the same name and brought to the stage by writer Meadbh McHugh and director Annabelle Comyn, was a powerful, incisive and urgent piece of theatre. From Cork, to Dublin, to Birmingham, Asking for It has brought a vital message about rape culture to our stages, and has done so in a sharply crafted, memorable production.
Owing to the Failure of
Moving to a production smaller in scale but equal in quality, we come to Owing to the Failure of, presented at The Workman’s Club in Dublin as part of Dublin Fringe Festival 2018. Written by Zoë Comyns and directed by Catríona McLaughlin, Owing to the Failure of was one of the best love stories I have seen on a stage in recent years.
Rosas Danst Rosas
There are not many shows that I would return to see two nights in a row, but Rosas Danst Rosas at Dublin Dance Festival 2019 was one of them. The power sustained by the four women on stage, through the intensity of Anna Teresa de Keersmaeker’s arresting choreography was a truly breathtaking thing to experience. A landmark piece of postmodern dance, the piece has not lost a joule of energy through its 37-year lifespan.
No list of brilliant women’s work on Irish stages would be complete without a mention for Marina Carr. Coming to the stage soon after the Waking the Feminists movement came to life, Carr’s adaptation of Tolstoy’s classic novel breathed new life into an old story, and tied the experiences of Tolstoy’s 19th century fictional women, to those of the women in the audience and on stage in 2016.
The Olive Tree
Written and performed by Katie O’Kelly, The Olive Tree is a magic realist adventure that delves deep into one of the most pertinent political issues of today. As a weary shop assistant peels a Boycott Israel sticker off of a bottle of olive oil, the tree on the label becomes real and takes her on a journey through the stories of Palestinian struggles past and present.
These are just a smattering of the excellence that has graced our stages from women’s pens and imaginations, but International Women’s Day is about looking forward, not just back. So let’s take a look at some of the exciting things that we have to look forward to on our stages.
The Red Book of Ossory
A deconstruction of several songs and poems written by 14th Century Kilkenny Bishop, Richard de Ledrede and included in the historic manuscript The Red Book of Ossory. With the famous witchcraft trial of Dame Alice Kylteler, for which de Ledrede was responsible, as a backdrop, The Red Book of Ossory at Project Arts Centre promises to be an enrapturing blend of the historical and contemporary created and performed by Anakronos, led by Catríona O’Leary.
This Beautiful Village
Returning to the Abbey Stage after a successful run last year and continuing onwards on a national tour, Lisa Tierney-Keogh’s This Beautiful Village is a piece that I am determined to catch in whatever corner of the country I can. Described by critic, Katy Hayes as ’utterly clued in to the zeitgeist,’ This Beautiful Village promises to sharply dissect privilege, power and prejudices.
Indeed, no list of brilliant women’s work on Irish stages would be complete without a second mention for Marina Carr. Coming to the Abbey Theatre during the 2020 edition of Dublin Theatre Festival, The Boy is a new cycle of plays written by Marina Carr and directed by Catríona McLaughlin. It is loosely based on the three Theban Plays, continuing Carr’s exploration of Ancient Greek theatre, and asks questions about responsibility and complicity in cycles of violence. The Boy looks set to be an ambitious durational theatrical work, and is one of the plays I am most excited to see this year.
Between this year’s International Women’s Day, and the next, seek out the work of brilliant women, and remember the final four points of Lian’s List, created by Lian Bell as part of the Waking the Feminists Campaign:
“67. Support women: celebrate their success, amplify
their voices, show your solidarity.
68. Take responsibility for making changes.
69. Yes you.
70. You have more power than you think.”