Edinburgh Festival Fringe
Assembly Roxy Online
Described as a referential piece of immersive digital theatre, Gash Theatre Gets Ghosted is an exuberant and incisive piece of theatre. Opening with a credit sequence that references old B-movie styles, and continuing to pepper effects and tropes from the genre throughout the show, it is clear that Gash Theatre has embraced and celebrated its digital platform. This is not just theatre transferred onto film, but truly digital theatre which revels in the possibilities of this new hybrid art form.
The show opens with the two creators and performers Maddie Flint and Nathalie Ellis-Einhorn running away from some unknown pursuer and eventually finding their way into the apparent refuge of an abandoned apartment. However, all is not as it seems. Amidst old flyers and posters upturned TVs battered armchairs and flickering lamps two women find themselves haunted by the gendered expectations and outdated clichés that have been created by popular media. This apartment is possessed by the ghost of pop culture masculinities
Utilising references and soundbites from classic romantic comedies and other well-known film and TV scenes, over-the-top impressions of hegemonic masculinity in the form of a Kiss-singing werewolf, conscious exposure of theatrical artifice, and surreal chitchat between animate household objects, Gash Theatre creates and entertaining yet incisive piece of theatre which questions our assumptions around relationships sexuality and gender politics.
As they eventually break out of this den of macho masculinity the two performers invite us to consider what it would feel like to break out of the confines of cultural expectations and unplug the dominant narrative. Ellis-Einhorn and Flint are pushing boundaries in both theme and form. Gash Theatre Gets Ghosted is an accomplished and inventive piece of digital theatre, which demonstrates the technical capacity of its medium, while retaining an engaging theatrical essence at its core.
Gash Theatre Gets Ghosted is available on demand until 29th August as part of Edinburgh Festival Fringe.