Dublin Fringe Festival
Summertime is only 15 minutes long. Hardly long enough to get an insight into the nuances and changes in a relationship, you would think, but that is not the case. James Elliot’s layered script tells an intensely human story that reminds us how things can seem to turn on a word. Though, as we soon realise, it is never really just a word.
A live sound installation, Summertime is performed by Danielle Galligan and Finbar Doyle, whose lines are heard through headphones, though the performers are moving amongst the audience in the room. Initially the use of headphones felt like it might be a gimmick, but as the two characters voices come into your head in stereo, and the live performances blend with pre-recorded internal monologues, the depth of the idea becomes clear.
Stash is an artist who works in a bar, and Steve is her boyfriend. The story follows them as they drift apart, fighting but not fighting, each not sure how to communicate to the other. As the audience hears the unsaid that could solve the rift between the couple, we realise how painfully simply this not-quite-a-fight could have been avoided by simply talking openly.
Making clever use of sound and setting, Summertime is a beautiful reminder of the power of honesty and openness.