Just Friends Theatre Collective
This production directed by Aisling Smith with Just Friends Theatre Company, was the second Hamlet I have seen this year and it couldn’t have been more different from the first. Where Ostermier’s porduction with Berlin’s Schaubuhne was a loud, large scale production that tried to shock the audience at every turn, Smith’s Hamlet was a relaxed, engaging and accessible piece. The costuming and setting was unusual with modern dress being worn and the various levels of the Boy’s School space being used to great effect. However, apart from these and the paring back of the script, this was a show that was primarily concerned with telling the audience the enduring story of Hamlet.
For the most part, the performances were very competent, with Rory Doherty finding the balance between Hamlet’s mask of madness and his determination to discover and act upon the true facts of his father’s death, Michael Mullen and Lauren McGarry playing Rosencrantz and Guildenstern as a young couple and engaging performances from a host of other characters, especially Horatio and Marcellus played by Colm Kenny-Vaughan and Jimmy Kavanagh.
In terms of design, there were some beautiful moments of lighting by Paraic McLean, particularly the final tableau and the lighting of the ghost. Unfortunately due to the placing of the ghost in an archway behind the audience only certain portions of the audience could fully see the striking image. The sound design was unfortunately not as effective as it drowned out certain lines and did not add much to the piece overall.
In terms of direction, the production was overall very good, with only one scene that jarred with the rest of the play. The death of Polonius verged on pantomimic in its execution and detracted somewhat from the drama of the moment. More precision and subtlety would have made this scene much more effective.
Overall, this production of Hamlet was an entertaining and engaging evening’s theatre and I am interested to see more work from Just Friends Theatre Collective.