Something happens after midnight. Perhaps it’s the light from the stars, or maybe the silence in the air, but whatever it is, it brings truth much closer to the surface and people much closer to each other. It’s the early hours, and Laura and Danny are the last two people left after Laura’s housewarming party.
They don’t know each other.
This is where we find ourselves at the start of David Eldridge’s Beginning. Directed by Marc Atkinson, and starring Marty Rea and Eileen Walsh, this production is a compelling story of honesty, loneliness and love.
As Laura moves from playful seduction to laying her heart on the table in front of Danny, and her vulnerability is gradually reciprocated, Eldridge paints a picture of two intensely realistic characters who find themselves making an unprecedented connection. A masterclass in storytelling and characterisation, Eldridge’s script, with its comic back and forth, absorbing monologues, and touching moments of mundane humanity, is brought vividly to the stage by Atkinson, whose direction is clear and precise, but never laboured.
This subtle precision and attention to detail is what makes this production. Rea and Walsh bat the power in the evening’s conversation back and forth with an intent naturalism – drawing the story out of each other, and tying the audience’s hearts to these two lonely souls as Danny and Laura edge closer to each other. In one scene in particular, where the pair begin tidying up the flat, the silence of both as they work, with the tension punctuated by quick glances and clattered plates, speaks volumes. And never before has a fish-finger sandwich said so much.
The beautifully theatrical naturalism does not only lie in the direction and performances though. Sarah Bacon’s set and costume design delights in detail – Laura’s favourite colours are evident as the colour palette of her costume mirrors the paint swatches on her wall, but the rich, muted pinks and blues soon infuse more layers of her character than just her wardrobe choices. The front door, placed upstage centre, poses a constant question to both the characters and audience.
Selina Cartmell’s current programme at The Gate promises love and courage, and this production of Beginning delivers both in its touchingly comic staging of love, loneliness and connection.