Review – Wilde Creatures

Pleasance Courtyard

04/08/18

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Oscar Wilde’s fairy tales, though few in number are enormous in the scope of their understanding. They are snapshots of reality through an imaginative lens that teaches vital lessons in kindness, generosity, understanding and respect. Taking the story of The Happy Prince as a frame, Wilde Creatures deftly draws elements of almost all of Wilde’s fairy tales together to bring these lessons, and the beautiful stories that convey them, vividly to life on stage.

The town has become very quiet, the beautiful statue of the Happy Prince is no more, and the Mayor has stopped children from playing in the town centre in order to keep it tidy. The town is not happy. It is decided that there should be a new statue to liven up the town square, but the question is, who deserves to be the subject of this statue? Of course the self-important town Mayor believes the statue should be of him, but the townspeople decide to take a vote. Performing various Wilde fairy tales through storytelling and song, the Wile Creatures ask whether the statue should be of Little Hans, the student, or the princess. As they tell their stories, gradually the townspeople, and the audience, learn that maybe the best way to liven up the town is not through creating a statue of a powerful (selfish, greedy or unkind) person, but by opening back up the square to everyone and caring for its citizens who are struggling.

The Wilde Creatures display impressive versatility as performers, playing multiple musical instruments, and flitting between characters in the stories with gusto. Tom Jude’s overbearing Mayor and Lauren Silver’s brattish princess are two highlights, with both performers creating delightfully unlikeable characters. Alongside the strong performances, Barney George’s ingenious set creates a changeable, captivating Wilde world.

Wilde Creatures is a lively, charming production that reminds us that “humans are the most beautiful flowers of all.”

Wilde Creatures runs at Pleasance Courtyard on alternate days with The Canterville Ghost until 26th August as part of the Edinburgh Festival Fringe.

The Importance of Being Earnest – Review

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Gate Theatre

16/01/16

Although it was first staged just short of 121 years ago, Wilde’s The Importance of Being Earnest, still feels fresh and, well, earnest. Even in reading the text, the vigour with which each character lives their lives is infectious; in performance it becomes a feast of vivacious madcap antics. Earnest fits the style of the Gate theatre perfectly, and Patrick Mason does a superb job with it.

Marty Rea’s acting has always impressed me, but in this production he truly came into his own, revealing perfect comic timing and a flair for face-pulling akin to Danny Kaye. Of the three portrayals of the character of Jack Worthing I have seen, this is the only one that I feel does justice to the character.  The rest of the cast all deliver impressive performances, with every actor pulling their weight.  Particularly notable were Lisa Dwyer Hogg and Lorna Quinn making the perfect duo as Gwendolen and Cecily, bouncing the energy of the two characters back and forth with sharp but easy precision.

From here, I wish to turn to the set, designed by Francis O’Connor. Few sets can capture the tone of a piece and the nuances of the characters that inhabit each setting as well as O’Connor’s does. With a relatively bare pre-set, we have little clue as to how much the set is going to bring to the production (though the addition of an image of Wilde on the back wall was a clever and playful touch!). Soon however, the many surprises of the set are revealed as a whole host of sliding panels and extensions transform into the home of Algernon Moncrieff, with everything a well-to-do dandy could want, through a garden, to the home of Jack, the polar opposite of the foppish Algy.

Wilde himself described Earnest as “exquisitely trivial,” and that was certainly the feeling in the auditorium at the Gate. I regretted wearing eyeliner as tears of laughter streamed down my face; from polite titters to uproarious belly laughs, the room rippled almost constantly with a wave of collective laughter.  This production of The Importance of Being Earnest is a lively, smart and suitably irreverent evening of Wildean wit and frivolity.

The Importance of Being Earnest runs until 6th February 2016.