Originally published on The Reviews Hub
Spiegeltent, Tiger Dublin Fringe
Briefs Factory’s feminist cabaret and burlesque extravaganza, Hot Brown Honey, has the audience crying with laughter, whooping, clapping and stamping their feet, but it isn’t from this that the show gets its electric energy. The Honeys are a group of women who are unashamedly angry and this is a show that makes no question of its bold intention to smash the patriarchy.
In a series of vignettes, the Honeys present the audience with well worn images and stereotypical characters before turning each and every one on its head. In one instance the audience is introduced to a “typical Samoan woman,” a romanticised idea of a woman in nothing but a leaf skirt sitting weaving herself new clothes from leaves. However, this illusion is shattered in moments as she turns and performs an impressive reverse strip-tease with a costume that seems impossibly, magically versatile. Another example is the caricaturing of characters that are defined by their physical features as Busty Beats appears wearing a costume with breasts the size of beach balls.
While most of their routines have a sizeable dash of the ridiculous and over-the-top about them (one needs only to have seen the costumes for the “Don’t Touch Her Hair” number to know that) that does not detract from the weight of the message in each segment. Tearing into questions of sexism, racism and homophobia, and tackling results of colonisation, the Honeys leave the audience in no doubt as to just how serious they are. This may be an audacious, entertaining and fun show, but it also leaves a sobering mark.
Through a fierce cabaret of hip-hop, song, circus and politics, Hot Brown Honey takes the audience through a whistle-stop tour of intersectional feminism and provides plenty of laughs and sass along the way. As the Honeys themselves say, “fighting the power never tasted so sweet.”
Hot Brown Honey runs until September 16th in the Spiegeltent at Merrion Square.