Originally published on The Reviews Hub
Smock Alley Theatre Black Box
Tiger Dublin Fringe
Presented by Rachel Clerke and the Great White Males, Cuncrete is a production with an interesting germ of an idea. Using concrete as a metaphor, Clerke and the band create a drag-king punk gig exploring capitalism, hegemonic masculinity and the strong ties between the two. However, there is too little exploring for Cuncrete to develop from a good idea to a good production.
The tone and pacing for the piece is set from its opening section; a long, repetitive musical build up to the entrance of Clerke. The production maintains a slow drawling pace, setting up the idea of what they describe as a “dysto-utopia” and introducing the Great White Males. This could have been forgivable had there been a development of the ideas through the show, but once Clerke and The Great White Males had laid out their premise in their opening number (which was reprised in an uncalled for encore) they simply went on to repeat and re-iterate that in their subsequent songs. There are moments of amusing satire, such as in the descriptions of the band members, but even then they rely on reductive and stereotypical character types. Similarly there are some strong images, but they are often tempered by weaker ones (there are only so many times the image of a rich person snorting cocaine, or a symbolic substitute, can be edgy) Throughout, this feels like a production that could go somewhere, but always leads to an anticlimax.
Cuncrete is a 55 minute show that is 45 minutes too long. Had the original idea evolved, it could have been an engaging and sharp production, but as it stands it is an over-simplified and under-developed piece.
Cuncrete runs in Smock Alley Theatre until September 13th.